Thursday, October 9, 2008
Diarrhea Calorie Absorbption
LXIII TALES CONTEST "THE NATIONAL" (2008) POEMS
Last July, the jury LXIII Story Contest the newspaper El Nacional , made by Alexis Marquez, Freddy Castillo and Krina Ber (winner of the contest in 2007) issued the verdict awarding the Prize Winner the story of my brother's shoes , Heberto Gamero, summarizing the story developed as " metaphorization the act of running as a universal expression of life ". Among the finalists and winners of the publication mention of this contest are the authors Fedosy Santaella, with distant springs, Jose Antonio Saez Passenger with sand and Táriba Santaella Rodolfo (Member of the 115 and editor of this blog), with Games the story of war and bitterness.
http://www.ficcionbreve.org/site/contenido.php?id=1407
http://www.ficcionbreve.org/site/contenido.php?id=1406
http: / / www.ficcionbreve.org/site/contenido.php?id=1428
http://www.analitica.com/Bitblio/rrattia/beatriz.asp
Last July, the jury LXIII Story Contest the newspaper El Nacional , made by Alexis Marquez, Freddy Castillo and Krina Ber (winner of the contest in 2007) issued the verdict awarding the Prize Winner the story of my brother's shoes , Heberto Gamero, summarizing the story developed as " metaphorization the act of running as a universal expression of life ". Among the finalists and winners of the publication mention of this contest are the authors Fedosy Santaella, with distant springs, Jose Antonio Saez Passenger with sand and Táriba Santaella Rodolfo (Member of the 115 and editor of this blog), with Games the story of war and bitterness.
http://www.ficcionbreve.org/site/contenido.php?id=1407
http://www.ficcionbreve.org/site/contenido.php?id=1406
http: / / www.ficcionbreve.org/site/contenido.php?id=1428
http://www.analitica.com/Bitblio/rrattia/beatriz.asp
Tuesday, October 7, 2008
Funny Pictionary Iphrases
GUSTAVO FERNÁNDEZ (2006)
REMEMBERING THE GOLDEN
I
Oh sweet clothes for me sadly found
holiday or mourning when all live together
burned my memory
are the sun I dream at dawn
Come to me, without fear, as children
hosted by the arms of a faceless
grandmother, made only of scraps of newspapers and photographs
They are the mirror I look
and I admit, without hurting the air
are encouraged my lungs and that will
to shake other rumor sites
with flowers and crystals
parties face its wake
away in the oblivion
II
I looked at the walls of my country
if a strong time, now vanished
or rather transparent as
haze but no air stone and glass
Where the owner who dreams of what's inside?
Where the owner who dreams of the outside?
The house where I live
I'm going home with me where I live. The
living life for me, others have lived and live
later when the mirror
not show the face that I intend my
but other faces are, will have been
my own face, yours
you read it without knowing if you yourself have written
III
This you see deception
colorful animal ash without guilt, wild
insignificant, helpless, transitive
of knots naked to the teeth
Which name
respond when the voices call my voice outside
throws on a glass sky guarded by indifferent
angels sleep?
no longer hear the voices of others but my own voice
other voices
made through the mouths of
people
of thousands, of millions who have been
to come or come
the streets approaching lips touching
inviting me to hear my voice away
IV
A Daphne and arms I grew
and white thighs like marble
Stop
metamorphosing into vines climbed lamp posts
Avenue to reach the bulbs with your fingers
I can not remember if it was Superman and Apollo the subject that ran
after her attempt to save the fate of being the chased
a god
stubborn and deaf to her disdain
Oh, Lois Lane
metal
hung from the roof of the tallest skyscraper in New York
Bankok
or about to throw in a vacuum
to escape the harassment of heroes
They await you
down there with open arms
confused the crowd of ants that move
the streets aimlessly defined
REMEMBERING THE GOLDEN
I
Oh sweet clothes for me sadly found
holiday or mourning when all live together
burned my memory
are the sun I dream at dawn
Come to me, without fear, as children
hosted by the arms of a faceless
grandmother, made only of scraps of newspapers and photographs
They are the mirror I look
and I admit, without hurting the air
are encouraged my lungs and that will
to shake other rumor sites
with flowers and crystals
parties face its wake
away in the oblivion
II
I looked at the walls of my country
if a strong time, now vanished
or rather transparent as
haze but no air stone and glass
Where the owner who dreams of what's inside?
Where the owner who dreams of the outside?
The house where I live
I'm going home with me where I live. The
living life for me, others have lived and live
later when the mirror
not show the face that I intend my
but other faces are, will have been
my own face, yours
you read it without knowing if you yourself have written
III
This you see deception
colorful animal ash without guilt, wild
insignificant, helpless, transitive
of knots naked to the teeth
Which name
respond when the voices call my voice outside
throws on a glass sky guarded by indifferent
angels sleep?
no longer hear the voices of others but my own voice
other voices
made through the mouths of
people
of thousands, of millions who have been
to come or come
the streets approaching lips touching
inviting me to hear my voice away
IV
A Daphne and arms I grew
and white thighs like marble
Stop
metamorphosing into vines climbed lamp posts
Avenue to reach the bulbs with your fingers
I can not remember if it was Superman and Apollo the subject that ran
after her attempt to save the fate of being the chased
a god
stubborn and deaf to her disdain
Oh, Lois Lane
metal
hung from the roof of the tallest skyscraper in New York
Bankok
or about to throw in a vacuum
to escape the harassment of heroes
They await you
down there with open arms
confused the crowd of ants that move
the streets aimlessly defined
Tuesday, July 15, 2008
What Is An E20 Gold Pill
WORKSHOP IN AUGUST !!!!! ¡¡¡¡¡ UPCOMING WORKSHOPS
Theatre Group Delphos
Workshop creation and manipulation of puppets and objects:
"Poetic Forms "
Conducted by Venezuelan actress and puppeteer, based in Barcelona, \u200b\u200bSpain: Irma Borges
The objective of this workshop is to disseminate awareness techniques and manipulation of puppets and objects that allow a better understanding of this while traditional, innovative theatrical practice.
In This workshop will perform a series of exercises that connect the participant with the dramatic and narrative character of objects, this is a workshop that investigates and reflects on the metaphorical power of the objects once staged: its value, its symbolism and its scope within the contemporary staging. Irma
Borges: Founder of Teatro
Dejavu, company that manages and creates the shows: Pin Ups, Tarara and Granny Julia. She studied Theatre at the Autonomous University of Barcelona, \u200b\u200bSpain. He has worked for over ten years as an actress, playwright, storyteller and puppeteer. Barcelona has contributed Jordi Bertran company. Made the dramaturgy of Klezmer Circus and Circ Combinat 34, show produced by the Ateneo de Nou Barris popular. Writer of the documentary: "The days of every day," produced by the UAB. Author of plays for children stray dogs and Wooden Circus recognized playwriting competitions. SCHEDULE
From Monday 11 to Thursday 21 August. Time
morning (group 1):
Monday, Wednesday and Thursday: 9 am to 12 noon. Time
pm (Group 2):
Monday, Wednesday and Thursday 1 pm to 4 pm.
Venue: Lab Theatre Anna Julia Rojas. Avenida Mexico. Metro South Exit of Fine Arts. Between Hotel Alba and Subway.
Investment: 400 Bs F. Per Person.
Registration: Delphos Theatre Group Headquarters. Av Las Palmas Quito street bldg. Vizcaya. Floor 2. Office B-13. Plaza Venezuela. One block from Metro. During office hours.
Information Phone: 0212-7937080 / 0412 7055443. 
Theatre Group Delphos
Theatre Laboratory and Anna Julia Rojas invited:
Workshop creation and manipulation of puppets and objects:
"Poetic Forms "
Conducted by Venezuelan actress and puppeteer, based in Barcelona, \u200b\u200bSpain: Irma Borges
The objective of this workshop is to disseminate awareness techniques and manipulation of puppets and objects that allow a better understanding of this while traditional, innovative theatrical practice.
In This workshop will perform a series of exercises that connect the participant with the dramatic and narrative character of objects, this is a workshop that investigates and reflects on the metaphorical power of the objects once staged: its value, its symbolism and its scope within the contemporary staging. Irma
Borges: Founder of Teatro
Dejavu, company that manages and creates the shows: Pin Ups, Tarara and Granny Julia. She studied Theatre at the Autonomous University of Barcelona, \u200b\u200bSpain. He has worked for over ten years as an actress, playwright, storyteller and puppeteer. Barcelona has contributed Jordi Bertran company. Made the dramaturgy of Klezmer Circus and Circ Combinat 34, show produced by the Ateneo de Nou Barris popular. Writer of the documentary: "The days of every day," produced by the UAB. Author of plays for children stray dogs and Wooden Circus recognized playwriting competitions. SCHEDULE
From Monday 11 to Thursday 21 August. Time
morning (group 1):
Monday, Wednesday and Thursday: 9 am to 12 noon. Time
pm (Group 2):
Monday, Wednesday and Thursday 1 pm to 4 pm.
Venue: Lab Theatre Anna Julia Rojas. Avenida Mexico. Metro South Exit of Fine Arts. Between Hotel Alba and Subway.
Investment: 400 Bs F. Per Person.
Registration: Delphos Theatre Group Headquarters. Av Las Palmas Quito street bldg. Vizcaya. Floor 2. Office B-13. Plaza Venezuela. One block from Metro. During office hours.
Information Phone: 0212-7937080 / 0412 7055443.
Saturday, June 7, 2008
I Want A My Mother To Whip Me
DIED poet Eugenio Montejo
His real name was Eugenio Hernández, born in Caracas in 1938, Eugenio Montejo died on Thursday, June 5, at night, in the Centro Policlinico Valencia (La Viña) where he had been detained since last week to cancer. We had a chance to meet in September 2004 during the making of the Book Fair UNICA III in Maracaibo, and today we mourn his passing away, although we know that his work and his legacy to the Venezuelan and Latin American literature transcend throughout the years. Venezuelan poet and essayist, was characterized by the rich textual variety and great mastery of form, becoming a great representative of the South American poetry. Published, among other books: "Choose" in 1967, "Death and Memory in 1972," Some Words "in 1977," Terredad in 1978, "Tropic absolute" in 1982, "The white workshop in 1983, "The Notebook Coll Blas in 1981 and" Alphabet of the World "in 1986. It was also the author of important essays such as" The oblique window in 1974. His poetry, that they said in their own words "was a melodious play chess with God alone" will last much longer than men, will shine even further than the flame of incandescent vela.Ensayista most prolific first-class poet, Montejo was the subject of multiple awards its international work. At the national level, received the National Prize for Literature in 1998. Later, he was awarded the Octavio Paz Prize for Poetry and Essay awarded by the Mexican government, one of the most important awards of the literary world began to write poems latinoamericano.Se long, in which reigns a spirit of joy for life on earth, who coined a new term to the Castilian language: terredad.Su latest book of poems, type Fable (2006) was published in Spain and Mexico, but has not been reproduced editorially in Venezuela, like his works completas.Fue recognized as a great reader, speaker and exhibitor, as well as having cultivated a taste for foreign languages. He earned a reputation for being able to speak in a Castilian considered one of the most pulcros.Quizás his work achieved the highest importance outside Venezuela's borders with the words of a poem that makes him the actor Sean Penn in the film 21 Grams, Mexican director Alejandro González Iñárritu, "The earth turned to bring us / turned on itself and in us to come together at last this dream, "was an extract of the verses that went around the world via the screen grande.Montejo in 2002 told the newspaper El Pais in Spain that the words of love" were a little tired. The love poem raises the risk of the nothingness and the commonplace. " Maybe that's why he took refuge in the sensuality of the ways to describe the universal feeling, starting from the point of "not always what interests Two other interests. "Papyrus was his love the greatest expression of that love touches, senses and breathes in the fusion of bodies" that are far to strange and unfamiliar places. "postvanguardismo The representative also reflected in its poetry his nostalgia for the transition from agrarian economy to Venezuelan oil. "tall are the buildings that no longer see anything my children," reads one of his verses that anticipates the conclusion that we live in "the era of post- Gods and after the city. "Land, the same that turned to bring it to the memory and hearts of millions of fans of his lyrics will intervene to preserve a legacy. Its passage by the planet closed a chapter, but his words remain now as ever remind us "how many lives we save the earth still, when you wake up tomorrow."
His real name was Eugenio Hernández, born in Caracas in 1938, Eugenio Montejo died on Thursday, June 5, at night, in the Centro Policlinico Valencia (La Viña) where he had been detained since last week to cancer. We had a chance to meet in September 2004 during the making of the Book Fair UNICA III in Maracaibo, and today we mourn his passing away, although we know that his work and his legacy to the Venezuelan and Latin American literature transcend throughout the years. Venezuelan poet and essayist, was characterized by the rich textual variety and great mastery of form, becoming a great representative of the South American poetry. Published, among other books: "Choose" in 1967, "Death and Memory in 1972," Some Words "in 1977," Terredad in 1978, "Tropic absolute" in 1982, "The white workshop in 1983, "The Notebook Coll Blas in 1981 and" Alphabet of the World "in 1986. It was also the author of important essays such as" The oblique window in 1974. His poetry, that they said in their own words "was a melodious play chess with God alone" will last much longer than men, will shine even further than the flame of incandescent vela.Ensayista most prolific first-class poet, Montejo was the subject of multiple awards its international work. At the national level, received the National Prize for Literature in 1998. Later, he was awarded the Octavio Paz Prize for Poetry and Essay awarded by the Mexican government, one of the most important awards of the literary world began to write poems latinoamericano.Se long, in which reigns a spirit of joy for life on earth, who coined a new term to the Castilian language: terredad.Su latest book of poems, type Fable (2006) was published in Spain and Mexico, but has not been reproduced editorially in Venezuela, like his works completas.Fue recognized as a great reader, speaker and exhibitor, as well as having cultivated a taste for foreign languages. He earned a reputation for being able to speak in a Castilian considered one of the most pulcros.Quizás his work achieved the highest importance outside Venezuela's borders with the words of a poem that makes him the actor Sean Penn in the film 21 Grams, Mexican director Alejandro González Iñárritu, "The earth turned to bring us / turned on itself and in us to come together at last this dream, "was an extract of the verses that went around the world via the screen grande.Montejo in 2002 told the newspaper El Pais in Spain that the words of love" were a little tired. The love poem raises the risk of the nothingness and the commonplace. " Maybe that's why he took refuge in the sensuality of the ways to describe the universal feeling, starting from the point of "not always what interests Two other interests. "Papyrus was his love the greatest expression of that love touches, senses and breathes in the fusion of bodies" that are far to strange and unfamiliar places. "postvanguardismo The representative also reflected in its poetry his nostalgia for the transition from agrarian economy to Venezuelan oil. "tall are the buildings that no longer see anything my children," reads one of his verses that anticipates the conclusion that we live in "the era of post- Gods and after the city. "Land, the same that turned to bring it to the memory and hearts of millions of fans of his lyrics will intervene to preserve a legacy. Its passage by the planet closed a chapter, but his words remain now as ever remind us "how many lives we save the earth still, when you wake up tomorrow." http://es.wikipedia.org/wiki/Eugenio_Montejo http://www.epdlp.com/escritor.php?id=2058 http://www.elpais.com/articulo/ narrativa/MONTEJO/_EUGENIO/Siempre/necesitamos/decir/nuevo/palabras/amor/elpbabnar/20020622elpbabnar_20/Tes / http://literanova.eduardocasanova.com/index.php/2007/08/22/eugenio_montejo_bitacora_del_alma http : / / www.literaturas.com / EMontejoLC.htm http://www.saltpublishing.com/books/smpt/1844710335.htm
Wednesday, May 28, 2008
Austin And Shantelle Rodgers Blog
RAUL Brasco (microstories)
(Lazarus collaboration Silva)
Author of short stories and essays, has been devoted in recent years especially in Microfictions. In 1989 he founded, with four other writers, the magazine Textual Maniac who was at newsstands and bookstores until 1994. Compiled several anthologies, was sworn to tell the National Endowment for the Arts, juror and panelist at the Book Fair of Buenos Aires, a lecturer at Bahia Blanca, co-organizer of the First Argentine Congress of Microfictions. Collaborate with bibliographical supplement culture newspaper.
Some works: We, you and them Microfictions anthology on women, Ed From the People, Buenos Aires, 2006. A thousand loves, Microfictions anthology about love, Thule Ediciones, Barcelona, \u200b\u200b2005. Latest games, stories themselves, Ed Pages foam, Madrid, 2005. Moods that kill, an anthology of humor, Ed From the People, B. Aires, 2005. (In collaboration with Luis Chitarroni). All future time was worse, Microfictions own, Thule Ediciones, Barcelona, \u200b\u200b2004. Textículos bestial: Short Stories of real and imaginary animals, anthology, Ed From People, B. Aires, 2004. (In collaboration with Luis Chitarroni).
(Lazarus collaboration Silva)
Author of short stories and essays, has been devoted in recent years especially in Microfictions. In 1989 he founded, with four other writers, the magazine Textual Maniac who was at newsstands and bookstores until 1994. Compiled several anthologies, was sworn to tell the National Endowment for the Arts, juror and panelist at the Book Fair of Buenos Aires, a lecturer at Bahia Blanca, co-organizer of the First Argentine Congress of Microfictions. Collaborate with bibliographical supplement culture newspaper. Some works: We, you and them Microfictions anthology on women, Ed From the People, Buenos Aires, 2006. A thousand loves, Microfictions anthology about love, Thule Ediciones, Barcelona, \u200b\u200b2005. Latest games, stories themselves, Ed Pages foam, Madrid, 2005. Moods that kill, an anthology of humor, Ed From the People, B. Aires, 2005. (In collaboration with Luis Chitarroni). All future time was worse, Microfictions own, Thule Ediciones, Barcelona, \u200b\u200b2004. Textículos bestial: Short Stories of real and imaginary animals, anthology, Ed From People, B. Aires, 2004. (In collaboration with Luis Chitarroni).
Criminal Triangle
things first, commissioner: of the three who were in bowling, you, me and the "deceased" as like to call "all very drunk, what are we going to deny, I am not escaped the knife dripping with blood. My knife is camaraderie as you see, and I'm also here no one has had to bring me because I never left. The one who fled was the "deceased" which, by the way he ran, his death has very little. And as he is alive, it is clear that I did not kill him. Conversely, if I stick to burning I feel down here, it was he who killed me. However, since you are questioning me and I died as I am, I can answer, you have to recognize that the "deceased" I not only killed me, so kill you. Booty
photograph not left convinced that the camera would steal the soul, but they eventually relented and were detaching themselves without anyone noticing, except the odd photographer. Itching
Although it was amputated leg, was terrible itching, or pruritus was illusory or what was the absence of leg. Pruritus was a presence so fierce that it was undeniable, so I immediately called the surgeon who had cheated.
Universal History
Encryption in the Torah is all that was, is and will be down to the smallest detail. Count the years of all generations, Bishop Ussher deduced that the universe began in 4004 BC. Rips mathematician, sought the logical relationships hidden in the text and announced an end to the year 2113. Both were wrong. Whoever succeeds in the end is Vjrltz. He discovered the law that countless combinations of the 304,805 letters of the holy book in a continuing story unfolds airy sense the universal events with absolute precision. But every time I press the key on your computer to start reading the same thing happens: there is a huge explosion. Again begin to condense the astros, germinating life, some men write the Torah, appear Christ, Ussher, Rips, Vjrltz ... Brothers
coexistence When they became unbearable, two very competitive brothers came to a tacit but steadfast: that in which one of them would succeed closed to the other, this prevents any comparison between them. More than a relief, the pact was a conviction. In the race to take over the most gratifying wins less painful and deprivation, which was first to be smarter, relegating the other to the stupidity and rough work. Consequently, when the gross though I bet won with women, the intellectual had to lean on men. But said getting very rich, forcing his brother to make mistakes in business and ruin. He did not see that much misery that his rival would wish to die to achieve it and that this will escamotearía the win. Ailing and covered in years, supports even the ruin of his body while he cries for the dead prohibited.
* The mitral
Olga de Souza Pinto, Oscar F. Sanchez, Juan Takara
and Enrique Sous.
In memoriam.
In the land of the birds there in all species. Missing only the mitral, which forged a homeland for themselves. This avoided the risks of flying. The mitral valves are greedy and have a good voice. His philosophy is clear: the cage is not imprisoned but preserved all that is needed for happiness is on the inside. In fact, once they left did not survive, they say that because they could not get food, but not true, the immensity of the air they stopped the heart. Well fed and secure in their cages, mitral aspire to be the only birds. And in times when the land of the birds is decimated by bullets delirious with joy believing that they will. Then, inflate the chest and whistled so powerful that does not stop the sound of broken wings and the sad chirping of the birds of heaven sunk in the grass dying.
* Writers Written by memory, truth and justice, booklet published on the twentieth anniversary of the coup of March 24, 1976.
things first, commissioner: of the three who were in bowling, you, me and the "deceased" as like to call "all very drunk, what are we going to deny, I am not escaped the knife dripping with blood. My knife is camaraderie as you see, and I'm also here no one has had to bring me because I never left. The one who fled was the "deceased" which, by the way he ran, his death has very little. And as he is alive, it is clear that I did not kill him. Conversely, if I stick to burning I feel down here, it was he who killed me. However, since you are questioning me and I died as I am, I can answer, you have to recognize that the "deceased" I not only killed me, so kill you. Booty
photograph not left convinced that the camera would steal the soul, but they eventually relented and were detaching themselves without anyone noticing, except the odd photographer. Itching
Although it was amputated leg, was terrible itching, or pruritus was illusory or what was the absence of leg. Pruritus was a presence so fierce that it was undeniable, so I immediately called the surgeon who had cheated.
Universal History
Encryption in the Torah is all that was, is and will be down to the smallest detail. Count the years of all generations, Bishop Ussher deduced that the universe began in 4004 BC. Rips mathematician, sought the logical relationships hidden in the text and announced an end to the year 2113. Both were wrong. Whoever succeeds in the end is Vjrltz. He discovered the law that countless combinations of the 304,805 letters of the holy book in a continuing story unfolds airy sense the universal events with absolute precision. But every time I press the key on your computer to start reading the same thing happens: there is a huge explosion. Again begin to condense the astros, germinating life, some men write the Torah, appear Christ, Ussher, Rips, Vjrltz ... Brothers
coexistence When they became unbearable, two very competitive brothers came to a tacit but steadfast: that in which one of them would succeed closed to the other, this prevents any comparison between them. More than a relief, the pact was a conviction. In the race to take over the most gratifying wins less painful and deprivation, which was first to be smarter, relegating the other to the stupidity and rough work. Consequently, when the gross though I bet won with women, the intellectual had to lean on men. But said getting very rich, forcing his brother to make mistakes in business and ruin. He did not see that much misery that his rival would wish to die to achieve it and that this will escamotearía the win. Ailing and covered in years, supports even the ruin of his body while he cries for the dead prohibited.
* The mitral
Olga de Souza Pinto, Oscar F. Sanchez, Juan Takara
and Enrique Sous.
In memoriam.
In the land of the birds there in all species. Missing only the mitral, which forged a homeland for themselves. This avoided the risks of flying. The mitral valves are greedy and have a good voice. His philosophy is clear: the cage is not imprisoned but preserved all that is needed for happiness is on the inside. In fact, once they left did not survive, they say that because they could not get food, but not true, the immensity of the air they stopped the heart. Well fed and secure in their cages, mitral aspire to be the only birds. And in times when the land of the birds is decimated by bullets delirious with joy believing that they will. Then, inflate the chest and whistled so powerful that does not stop the sound of broken wings and the sad chirping of the birds of heaven sunk in the grass dying.
* Writers Written by memory, truth and justice, booklet published on the twentieth anniversary of the coup of March 24, 1976.
Tuesday, April 22, 2008
Brown Mucus When I Used The Bathroom
BOOKS OF THE 115 (PART II)
1. MANUAL LIFT. Pedro Chacin
2. ROUGH. Antonio Arráiz
3. NAKED LUNCH, CITIES OF THE RED NIGHT. William S.
Burroughs 4. SHE, KING SOLOMON'S MINES, Allan Quatermain, Ayesha, OR THE BACK OF IT. Henry Rider Haggard
5. POSTMAN, Factotum, WOMEN, AND THE PATH OF THE LOSER, FUCK MACHINE, PIPE MUSIC, OLD INDECENT WRITINGS, erection, ejaculation, EXHIBITIONS AND TALES OF ORDINARY MADNESS. Charles Bukowski
6. THE COLLECTOR, THE GREAT ART, THE DOG COLLAR. Rubem Fonseca
7. ALL FOR A STEAK, THE MEXICAN. Jack London
8. Informants; AMERICAN Psyco. Bret Easton Ellis
9. Generation X. Douglas Coupland
10. RAYUELA; AWARDS; BESTIARIO; FINAL GAME; Cronopios and FAMAS; THE SECRET WEAPONS. Julio Cortázar
11. THE FLOWERS OF EVIL. Charles Baudelaire
12. SHADOW LINE. Joseph Conrad
13. SEA STONE, THE HEAD IS Lone Ranger BARE AS A TOOTHBRUSH, THE FIRST LEAVES OF THE NIGHT. Francisco Massiani
14. CERRICOLAS, YO SOY LA RUMBA, JOSELOLO. Gustavo Ángel Infante
15. PERSONAL ANTHOLOGY; LUNA HOT. Mempo Giardinelli
16. The manifests, POEMS, Nadja. André Breton
17. BATOUALA, TRUE ROMANCE OF BLACK: René Maran
18. THE ADVENTURES OF SHERLOCK HOLMES, THE HOUND OF THE BASKERVILLE. Arthur Conan Doyle
19. FRANKENSTEIN OR THE MODERN PROMETHEUS. Mary Shelley
20. DRACULA. Bram Stoker
21. WAR LETTERS. Jacques Vache
22. THE SAVAGE DETECTIVES. Roberto Bolaño
21. QUEEN CELIA CRUZ RUMBA; PUMP CARAMBOMBA. Umberto Valverde
22. LIFE IN THE BAR IS MORE DELICIOUS; DRINK OF A CITIZEN; TALES OF HUMOR, AND LUCK OF MADNESS. Luis Barrera Linares
23. DAY. Anais Nin
24. CANTATA 140; Do Androids Dream of Electric Sheep?; Going. Philip K. Dick
25. I visited Ganymede. Ibrahim Yosip
26. UNDER THE VOLCANO. Malcolm Lowry
27. ROSA CRUCIFIXION. Henry Miller
28. TALES, LOVE IN THE TIME OF CHOLERA. Gabriel García Márquez
29. LOVE POETRY, HISTORY OF THE LIFE OF Buscon called Paul, EXAMPLE OF STRAY AND MIRROR TACAN. Francisco de Quevedo
30. TRILCE. César Vallejo
31. ALTAZOR. Vicente Huidobro
32. COMPLETE WORKS. Arthur Rimbaud
33. CRISS CROSS. Don Tracy
34. The Big Sleep, PLAYBACK, THE LONG GOODBYE, goldfish, Farewell, My Lovely. Raymond Chandler
35. Do not KILL THE HORSES? Horace McCoy
36. THE RUBAYATS. Omar Khayyam
37. SHARKY MACHINE. William Diehl
38. 1280 SOULS. Jim Thompson
39. DOUBLE INDEMNITY. James Cain
40. Gentlemen Prefer GROSS. Isabella Santodomingo
(Selected Trujillo Alvaro Contreras) 
1. MANUAL LIFT. Pedro Chacin
2. ROUGH. Antonio Arráiz
3. NAKED LUNCH, CITIES OF THE RED NIGHT. William S.
Burroughs 4. SHE, KING SOLOMON'S MINES, Allan Quatermain, Ayesha, OR THE BACK OF IT. Henry Rider Haggard
5. POSTMAN, Factotum, WOMEN, AND THE PATH OF THE LOSER, FUCK MACHINE, PIPE MUSIC, OLD INDECENT WRITINGS, erection, ejaculation, EXHIBITIONS AND TALES OF ORDINARY MADNESS. Charles Bukowski
6. THE COLLECTOR, THE GREAT ART, THE DOG COLLAR. Rubem Fonseca
7. ALL FOR A STEAK, THE MEXICAN. Jack London
8. Informants; AMERICAN Psyco. Bret Easton Ellis
9. Generation X. Douglas Coupland
10. RAYUELA; AWARDS; BESTIARIO; FINAL GAME; Cronopios and FAMAS; THE SECRET WEAPONS. Julio Cortázar
11. THE FLOWERS OF EVIL. Charles Baudelaire
12. SHADOW LINE. Joseph Conrad
13. SEA STONE, THE HEAD IS Lone Ranger BARE AS A TOOTHBRUSH, THE FIRST LEAVES OF THE NIGHT. Francisco Massiani
14. CERRICOLAS, YO SOY LA RUMBA, JOSELOLO. Gustavo Ángel Infante
15. PERSONAL ANTHOLOGY; LUNA HOT. Mempo Giardinelli
16. The manifests, POEMS, Nadja. André Breton
17. BATOUALA, TRUE ROMANCE OF BLACK: René Maran
18. THE ADVENTURES OF SHERLOCK HOLMES, THE HOUND OF THE BASKERVILLE. Arthur Conan Doyle
19. FRANKENSTEIN OR THE MODERN PROMETHEUS. Mary Shelley
20. DRACULA. Bram Stoker
21. WAR LETTERS. Jacques Vache
22. THE SAVAGE DETECTIVES. Roberto Bolaño
21. QUEEN CELIA CRUZ RUMBA; PUMP CARAMBOMBA. Umberto Valverde
22. LIFE IN THE BAR IS MORE DELICIOUS; DRINK OF A CITIZEN; TALES OF HUMOR, AND LUCK OF MADNESS. Luis Barrera Linares
23. DAY. Anais Nin
24. CANTATA 140; Do Androids Dream of Electric Sheep?; Going. Philip K. Dick
25. I visited Ganymede. Ibrahim Yosip
26. UNDER THE VOLCANO. Malcolm Lowry
27. ROSA CRUCIFIXION. Henry Miller
28. TALES, LOVE IN THE TIME OF CHOLERA. Gabriel García Márquez
29. LOVE POETRY, HISTORY OF THE LIFE OF Buscon called Paul, EXAMPLE OF STRAY AND MIRROR TACAN. Francisco de Quevedo
30. TRILCE. César Vallejo
31. ALTAZOR. Vicente Huidobro
32. COMPLETE WORKS. Arthur Rimbaud
33. CRISS CROSS. Don Tracy
34. The Big Sleep, PLAYBACK, THE LONG GOODBYE, goldfish, Farewell, My Lovely. Raymond Chandler
35. Do not KILL THE HORSES? Horace McCoy
36. THE RUBAYATS. Omar Khayyam
37. SHARKY MACHINE. William Diehl
38. 1280 SOULS. Jim Thompson
39. DOUBLE INDEMNITY. James Cain
40. Gentlemen Prefer GROSS. Isabella Santodomingo
(Selected Trujillo Alvaro Contreras)
Tuesday, April 15, 2008
Doesyour Cervix Dry Before Your Period?
THEATRE WORKSHOP FOR CHILDREN
Aimed at children between 9 and 12 years
Hours: Tuesday and Thursday from 3:30 to 5:00 pm
Start: Tuesday, May 6, 2008
Completion : Thursday 31 July 2008Inversión: 175 Bs F
Monthly Enrollment: 45 F Bs
Facilitator: Ms. Maria Helena Vaz.
Contents: Management of stage fright, improvisation, movement, vocal education, creating stories and characters, teamwork, awareness of the arts.
WORKSHOP "THE THEATRE AS A TEACHING TOOL"
Target audience: Teachers, teachers, reenactors and anyone who deals with groups of children and adolescents.
Duration: 8 sessions - 24 hrs
Hours: Wednesdays from 3-6 pm
Start: May 7, 2008 ends: June 25, 2008. Investment
: 45 Bs.F Registration / 345 Bs F Single payment
Program: Expression
body, vocal techniques, improvisation, dramatic play as a pedagogical strategy, theatrical tools for the job in the classroom, the classroom space and creating motivation permanent.
Facilitator: Ms. Maria Helena Vaz. XVIII
MOUNT WORKSHOP INTRODUCTION TO DRAMATIC ART
Aimed at young people and adults from 17 years onwards.
Duration: 6 months
Hours: Tuesdays and Thursdays from 6 to 9 pm.
Starts: Tuesday, May 6
Investment: 175 Bs F.
Monthly Enrollment: 45 Bs F
Contents: Acting, voice, diction, movement, dramatic text analysis, improvisation, character development, final assembly.
Moderator: Mr. Luis Alberto Rosas A.
Aimed at children between 9 and 12 years
Hours: Tuesday and Thursday from 3:30 to 5:00 pm
Start: Tuesday, May 6, 2008
Completion : Thursday 31 July 2008Inversión: 175 Bs F
Monthly Enrollment: 45 F Bs
Facilitator: Ms. Maria Helena Vaz.
Contents: Management of stage fright, improvisation, movement, vocal education, creating stories and characters, teamwork, awareness of the arts.
WORKSHOP "THE THEATRE AS A TEACHING TOOL"
Target audience: Teachers, teachers, reenactors and anyone who deals with groups of children and adolescents.
Duration: 8 sessions - 24 hrs
Hours: Wednesdays from 3-6 pm
Start: May 7, 2008 ends: June 25, 2008. Investment
: 45 Bs.F Registration / 345 Bs F Single payment
Program: Expression
body, vocal techniques, improvisation, dramatic play as a pedagogical strategy, theatrical tools for the job in the classroom, the classroom space and creating motivation permanent.
Facilitator: Ms. Maria Helena Vaz. XVIII
MOUNT WORKSHOP INTRODUCTION TO DRAMATIC ART
Aimed at young people and adults from 17 years onwards.
Duration: 6 months
Hours: Tuesdays and Thursdays from 6 to 9 pm.
Starts: Tuesday, May 6
Investment: 175 Bs F.
Monthly Enrollment: 45 Bs F
Contents: Acting, voice, diction, movement, dramatic text analysis, improvisation, character development, final assembly.
Moderator: Mr. Luis Alberto Rosas A.
Sunday, April 13, 2008
Amish Dresses For Sale
BOOKS OF THE 115 (PART ONE)
1. ADVICE OF A WOLF IN LOVE. or how to conquer a woman without making her suffer. Eleazar C. López (All a "Bed" Sellers )
2. ON THE ROAD. (Jack Kerouac)
3. A Moveable Feast. Ernest Hemingway.
4. FAREWELL TO ARMS. Ernest Hemingway.
5. THE CITY AND THE DOGS. Mario Vargas Llosa.
6. CHRONICLES OF REED AND DEATH. Orlando Araujo. 7.-
MEMORY Inquisition. Mempo Giardinelli.
8.-The Great Gatsby. F. Scott Fitzgerald.
9.-THE TROPICS. Henry Miller. 10.-
COMPLETE WORKS. William Shakespeare.
11.-LORD JIM. Joseph Conrad.
12.-In Cold Blood. Credible accounts of a multiple murder and its consequences. Truman Capote.
13.-THE NAME OF THE ROSE. Umberto Eco
14.-LESS THAN ZERO. Bret Easton Ellis.
15.-THE GODFATHER. Mario Puzo.
16 .- WINDS OF WAR. Herman Wouk.
17. The Caine Mutiny. Herman Wouk
18.-THE ADVENTURES OF A YOUNG. THE NUMBER ONE. THE BIG PROJECT. John Dos Passos. 19.-OLD
. Adriano González León.
20.-DON QUIXOTE. Miguel de Cervantes.
21.-TEEN AND PHILOSOPHERS. F. Scott Fitzgerald.
22.-THE PAY OF SOLDIERS. THE SOUND AND THE FURY. THE UNDEFEATED AND WILD PALMS. William Faulkner.
23. FAHRENHEIT 451. Ray Bradbury.
24 .- THE MALTESE FALCON. Dashiel Hammett
25 .- THE CALL OF THE WILD. MARTIN EDEN. Jack London.
26 .- I, THE JURY. MY GUN IS QUICK. HUNTER THE GIRLS. Mickey Spillane.
27.-THE BONFIRE OF THE VANITIES. Tom Wolfe.
28.-THE NAKED AND THE DEAD. Norman Mailer.
29.-The Postman Always Rings Twice. James Cain.
30.-PANTALEÓN and visitors. Mario Vargas Llosa.
( selection Bastidas Carlos Torres)
Sunday, March 2, 2008
Vladmodels Illegal In Canada?
the inevitable fate of Rosa de la Noche
Delphos Group Theatre pays tribute to Venezuelan playwright Mariela Romero
"The inevitable fate of Rose of the Night" in the Laboratory Theatre
Anna Julia Rojas Caracas .- The Group Theatre deph presents the play "The inevitable fate of Rose of the Night", the renowned Venezuelan playwright Mariela Romero, doing a tribute on stage to the acclaimed creator. The stage will be the Teatrino Theatre Lab Anna Julia Rojas, from 22 February.
"The inevitable fate of Rose of the Night" tells the story of a particular relationship between two homeless, Peter and John, whose relationship is affected by the arrival of Rose, a romantic prostitute who brings hope of new life, showing these comrades of the road leading to different destinations and fatal to their relationship.
Three young talents star in this assembly that speaks of warmth, love, hope and faith in a better life. Diego León gives life to Peter, while Javier Figuera shows John. The character of the prostitute Rosa, takes shape and form at the hands of Karla Fermin, completing the trio of interpretation that will tribute to the playwright's creative history, the Venezuelan Mariela Romero.
Muzicalization Under the leadership and Luis Alberto Rosas, "The inevitable fate of Rose of the Night" show the relationship between three characters, on stage, face their human differences beyond the similarities of life. The assembly has the Associate Director Plazola Jorge Gomez, the assistant director of José Joaquín Araujo and Lighting Design and Costume Darwin Angola, under the overall production of Alyeska Gil, assisted by Robert Chacon, and executive producer of the Rosas.
features "The inevitable Rosa destination of the night "by the Theatre Group Delphos, will be held Friday and Saturday at 7 pm and Sunday at 6 pm, from 22 February until 16 March 2008 The "Teatrino" Theatre Lab Anna Julia Rojas (outside Metro Bellas Artes)
About Mariela Romero Mariela Romero Ibarra is the greatest playwright of projection of the last two decades of the Venezuelan theater. The Ministry of Justice Award for his play "The Game" (1976) catapulted to fame theater and since then has continued to produce parts that have been represented in Venezuela and abroad, being great recall the original release of "The inevitable fate of Rose of the Night" in 1980, under the direction of Armando Gota. His work as creator has run parallel to the television scriptwriter who enjoys good prestige.
His works have been published by the Brooklyn College Humanities Institute in New York and the Service Culturel de la Sorbonne Nouvelle in Paris, and his piece "The seller" was filmed under the name of Besame Mucho, by Philippe Toledano . Earning the award for Best in Show Foreign Theatre Festival in Jelenia Gora (Poland, 1980) and two times National Award Criticism (1980-1989), is the author of pieces such as: "We both wanted us," "Waiting for the Italian" and "Return of the King Lear" among others.
About Delphos
Theatre Group under the tutelage of Luis Alberto Rosas, for more than ten years this group has become the theater space to unleash creativity and desire to communicate something more than just entertainment through the theater environment. Rosas, current Director General of the group, says their work to reach the viewer "in addition to having a good time, leave with a thought, that somehow our performances will touch the fibers beyond the simple fact of seeing a show quality. Theatre we produce in Delphos is a theater that does not neglect the public, much less our reality as a country, as human beings
The Delphos Group has not only focused on theatrical productions, but parallel set a goal to contribute to the training of new generations of Venezuelan theater through its workshops Introduction to Drama. Many have been the junior players who have in their curriculum with the teachings of Delphos.
Delphos Theatre Group has shown, on the stage works both Venezuelan and foreign productions such as The Land of the Dragon, In Camera, Cycle tales Gallegos (time reduced, Immigrants, The analysis, the parentheses), The Trap, Kidnapped, The venom of the theater; Let's tell lies; Atra Bilis, Sagrada Familia and pretty eyes, ugly pictures, among others.
"The inevitable fate of Rose of the Night" in the Laboratory Theatre
Anna Julia Rojas Caracas .- The Group Theatre deph presents the play "The inevitable fate of Rose of the Night", the renowned Venezuelan playwright Mariela Romero, doing a tribute on stage to the acclaimed creator. The stage will be the Teatrino Theatre Lab Anna Julia Rojas, from 22 February.
"The inevitable fate of Rose of the Night" tells the story of a particular relationship between two homeless, Peter and John, whose relationship is affected by the arrival of Rose, a romantic prostitute who brings hope of new life, showing these comrades of the road leading to different destinations and fatal to their relationship.
Three young talents star in this assembly that speaks of warmth, love, hope and faith in a better life. Diego León gives life to Peter, while Javier Figuera shows John. The character of the prostitute Rosa, takes shape and form at the hands of Karla Fermin, completing the trio of interpretation that will tribute to the playwright's creative history, the Venezuelan Mariela Romero.
Muzicalization Under the leadership and Luis Alberto Rosas, "The inevitable fate of Rose of the Night" show the relationship between three characters, on stage, face their human differences beyond the similarities of life. The assembly has the Associate Director Plazola Jorge Gomez, the assistant director of José Joaquín Araujo and Lighting Design and Costume Darwin Angola, under the overall production of Alyeska Gil, assisted by Robert Chacon, and executive producer of the Rosas.
features "The inevitable Rosa destination of the night "by the Theatre Group Delphos, will be held Friday and Saturday at 7 pm and Sunday at 6 pm, from 22 February until 16 March 2008 The "Teatrino" Theatre Lab Anna Julia Rojas (outside Metro Bellas Artes)
About Mariela Romero Mariela Romero Ibarra is the greatest playwright of projection of the last two decades of the Venezuelan theater. The Ministry of Justice Award for his play "The Game" (1976) catapulted to fame theater and since then has continued to produce parts that have been represented in Venezuela and abroad, being great recall the original release of "The inevitable fate of Rose of the Night" in 1980, under the direction of Armando Gota. His work as creator has run parallel to the television scriptwriter who enjoys good prestige.
His works have been published by the Brooklyn College Humanities Institute in New York and the Service Culturel de la Sorbonne Nouvelle in Paris, and his piece "The seller" was filmed under the name of Besame Mucho, by Philippe Toledano . Earning the award for Best in Show Foreign Theatre Festival in Jelenia Gora (Poland, 1980) and two times National Award Criticism (1980-1989), is the author of pieces such as: "We both wanted us," "Waiting for the Italian" and "Return of the King Lear" among others.
About Delphos
Theatre Group under the tutelage of Luis Alberto Rosas, for more than ten years this group has become the theater space to unleash creativity and desire to communicate something more than just entertainment through the theater environment. Rosas, current Director General of the group, says their work to reach the viewer "in addition to having a good time, leave with a thought, that somehow our performances will touch the fibers beyond the simple fact of seeing a show quality. Theatre we produce in Delphos is a theater that does not neglect the public, much less our reality as a country, as human beings
The Delphos Group has not only focused on theatrical productions, but parallel set a goal to contribute to the training of new generations of Venezuelan theater through its workshops Introduction to Drama. Many have been the junior players who have in their curriculum with the teachings of Delphos.
Delphos Theatre Group has shown, on the stage works both Venezuelan and foreign productions such as The Land of the Dragon, In Camera, Cycle tales Gallegos (time reduced, Immigrants, The analysis, the parentheses), The Trap, Kidnapped, The venom of the theater; Let's tell lies; Atra Bilis, Sagrada Familia and pretty eyes, ugly pictures, among others.
Tuesday, January 15, 2008
Glee Boombox Replacement Antenna
TWO POEMS BEATS (Gregory Corso and Michael McClure)
(collaboration with Carlos Torres Bastidas)
SLEEP WITH A BASEBALL STAR
Gregory Corso (1930-2001) I dreamed
Ted Williams
night reclining against the Eiffel Tower, weeping.
was in uniform and bat at her feet
-full of knots and twigs.
"Randall Jarrell says you're a poet! "shouted
" Me too! I say you're a poet! "
picked up the bat with calloused hands;
was put in the position to hit like you're in the home,
and laughed! Directing their anger toward an invisible college
pitching mound
-waiting for the release would come from heaven.
arrived, they came by the hundreds! all burning!
batted and batted and could not hit any lower curve
serpentine or straight down the middle
one hundred strikes!
The strangely dressed umpire thundered
its decision: OUT!
And the crowd whistled horrible ghost scared the gargoyles
Notre Dame.
And I screamed in my dream:
God! do your charitable launch! Da
news of the crack of the bat! Hurra
the sharp liner to left! Yes
a double, a triple! Hosannah
homer!.
( Translation: Ernesto Cardenal).
LO GATUN
Michael McClure (1932-2002)
music enriches me that the cat does at night,
the delicate, thin
meow as she walks the room in search love,
walking slowly, mewing sweet
large gray cat. No
for sex but for love. Frightened by noise
I do not perceive. Sweating
, lost love
while round the bookseller.
(Translation: Ernesto Cardenal) 
(collaboration with Carlos Torres Bastidas) SLEEP WITH A BASEBALL STAR
Gregory Corso (1930-2001) I dreamed
Ted Williams
night reclining against the Eiffel Tower, weeping.
was in uniform and bat at her feet
-full of knots and twigs.
"Randall Jarrell says you're a poet! "shouted
" Me too! I say you're a poet! "
picked up the bat with calloused hands;
was put in the position to hit like you're in the home,
and laughed! Directing their anger toward an invisible college
pitching mound
-waiting for the release would come from heaven.
arrived, they came by the hundreds! all burning!
batted and batted and could not hit any lower curve
serpentine or straight down the middle
one hundred strikes!
The strangely dressed umpire thundered
its decision: OUT!
And the crowd whistled horrible ghost scared the gargoyles
Notre Dame.
And I screamed in my dream:
God! do your charitable launch! Da
news of the crack of the bat! Hurra
the sharp liner to left! Yes
a double, a triple! Hosannah
homer!.
( Translation: Ernesto Cardenal).
LO GATUN
Michael McClure (1932-2002)
music enriches me that the cat does at night,
the delicate, thin
meow as she walks the room in search love,
walking slowly, mewing sweet
large gray cat. No
for sex but for love. Frightened by noise
I do not perceive. Sweating
, lost love
while round the bookseller.
(Translation: Ernesto Cardenal)
Sunday, January 13, 2008
How Does An 18 Year Old Find An Older Woman
HEMINGWAY AND THE LOST GENERATION An essay on "A Moveable Feast"
(Fondo Editorial Toromaina, Caracas, 1999)
The author, Carlos Torres Bastidas (1964), speaks extensively in this essay on his years Ernest Hemingway in Paris between 1921 and 1926, (narrated by him in his posthumous novel A Moveable Feast 'Moveable Feast', 1964) and which are instrumental in its formation as a writer, heat contact with the city of lights in the roaring twenties, and other major writers such as James Joyce , F. Scott Fitzgerald, John Dos Passos, Ezra Pound, and lifelong mentor, Gertrude Stein, who coined the term for posterity "lost generation" (book available on request)
LA POWER NIGHT critical essays
(Monte Avila Editores Latinoamericana,
Stock forms of fire, Caracas, 2005)
The author, Gustavo Fernández Colón (1964), this book exposes the various trends and differences over the location and definition of Postmodernism in contemporary Venezuelan literature, from the works of authors such as Julio Garmendia, Guardia and Jose Armando Rojas M. Briceño Guerrero, among others . (Available in the South Book )
Monday, January 7, 2008
Gmc Body Style Change When
115 DINOSAUR S
(Alvaro Trujillo)
When you pass the glacier will
hooves in the snow.
When passing through the corner of Hazard
I'll have a beer with my son
and speak of the dogs of the Precambrian. Jhonny
Lazarus, Carlos and Rodolfo
appear as ghosts in the street 115. When passing the glacier
our stories, novels, poems and accounts payable
rookie walk in mouth. Some libraries mouse
find
On the way lined with black and red ink
and burned his hands.
Witches College
gain weight when they step away to other forest fauns. Fernández
The poet appears in the newspaper and cable TV
as time goes cold.
Martin, Abreu, Wilson and the old Chinese pension
Iberian visit the Museum of Natural Sciences
when customers are scarce
scandalous and verb soul happy.
When you lose everything because everything
avoid build an escalator to the School of Arts. When passing the glacier
115 dinosaurs will be under the snow and be
eternal. 
(Alvaro Trujillo)
When you pass the glacier will
hooves in the snow.
When passing through the corner of Hazard
I'll have a beer with my son
and speak of the dogs of the Precambrian. Jhonny
Lazarus, Carlos and Rodolfo
appear as ghosts in the street 115. When passing the glacier
our stories, novels, poems and accounts payable
rookie walk in mouth. Some libraries mouse
find
On the way lined with black and red ink
and burned his hands.
Witches College
gain weight when they step away to other forest fauns. Fernández
The poet appears in the newspaper and cable TV
as time goes cold.
Martin, Abreu, Wilson and the old Chinese pension
Iberian visit the Museum of Natural Sciences
when customers are scarce
scandalous and verb soul happy.
When you lose everything because everything
avoid build an escalator to the School of Arts. When passing the glacier
115 dinosaurs will be under the snow and be
eternal.
Sunday, January 6, 2008
Programa Pokémon Hack
LAWRENCE FERLINGHETTI (THE LAST Beatnick)
(collaboration of Gustavo Fernández Colón)
Lawrence Ferlinghetti was born in New York in 1919, lives in San Francisco, I hope that many more years ... The last beat poet, poetry in person surviving a century to to analyze, critique, chronicled in verse, he took guts. A bull among sheep. Ferlinghetti is the highest representative of the poetic movement of San Francisco, which not only encompasses the beat, but a large number of poets of different trends which supported or supports through its library "The City Lights" , the magazine created "City Lights magazine " and poetry recitals. Poetic movement that was the basis of an activity and value unparalleled in world poetry. As a whole group of poetry, his poetry is the world around him, with a critical and disenchantment on the world in general, but especially on politics and American society where he lives. The American dream crumbles among its verses. the style of his friend Kenneth Rexroth is an anarchist who uses his work imbued with all kinds of literary influences, from Dante to Lorca, for use as a weapon, to proselytize in search of a different world and, if possible, show the errors and the horrors he seen.
CHRIST IS LOWERED
(Lawrence Ferlinghetti)
Christ came down from his tree this year
naked and fled to where there were no Christmas trees uprooted
Christ came down from his tree and fled naked
where there were no gilded Christmas trees and Christmas trees
silver or Christmas trees
tinfoil and plastic Christmas trees
pink or gold Christmas tree
no black Christmas trees and Christmas trees
celestial
decorated with electric candles and Uncles can
heavy and believed.
Christ came down from his tree this year
naked and ran to where no intrepid Bible peddler
travel the country in a two-toned Cadillac
birth and where no Sears Roebuck
complete with plastic baby crib
reached by certified mail
child
immediate delivery and where no TV Men sing praises to
Lord Calvert Whisky
Christ came down from his tree this year
naked and ran to where no fat, good-hearted stranger dressed in red flannel
bearded Lying
walk posing as a sort of North Pole saint
through del desierto de Belén, Pennsylvania
en un trineo Volkswagen
arrastrado por renos retozones de Adirondack
con nombres alemanes y cargado de sacos de humildes regalos de Saks
de la Quinta Avenida
para el Niño Dios que cada uno se imagina.
Cristo se bajó de su árbol desnudo este año
y huyó a donde los cantadores de villancicos de Bing Crosby
no lloriquearan que la Nochebuena es fría
y los ángeles del Radio City no patinaran sin alas
en un país de las maravillas todo nevado
entrando a un cielo de alegres cascabeles
diariamente a los 8:30
con matinés de la Misa de Gallo .
Cristo se bajó de su árbol desnudo este año
and she went to
quietly in an anonymous Mary's womb again where
in the dark night of the soul of each anonymous
the wait again an unimaginable and impossible
immaculate re-conception the craziest of Second Comings. 
(collaboration of Gustavo Fernández Colón) Lawrence Ferlinghetti was born in New York in 1919, lives in San Francisco, I hope that many more years ... The last beat poet, poetry in person surviving a century to to analyze, critique, chronicled in verse, he took guts. A bull among sheep. Ferlinghetti is the highest representative of the poetic movement of San Francisco, which not only encompasses the beat, but a large number of poets of different trends which supported or supports through its library "The City Lights" , the magazine created "City Lights magazine " and poetry recitals. Poetic movement that was the basis of an activity and value unparalleled in world poetry. As a whole group of poetry, his poetry is the world around him, with a critical and disenchantment on the world in general, but especially on politics and American society where he lives. The American dream crumbles among its verses. the style of his friend Kenneth Rexroth is an anarchist who uses his work imbued with all kinds of literary influences, from Dante to Lorca, for use as a weapon, to proselytize in search of a different world and, if possible, show the errors and the horrors he seen.
CHRIST IS LOWERED
(Lawrence Ferlinghetti)
Christ came down from his tree this year
naked and fled to where there were no Christmas trees uprooted
Christ came down from his tree and fled naked
where there were no gilded Christmas trees and Christmas trees
silver or Christmas trees
tinfoil and plastic Christmas trees
pink or gold Christmas tree
no black Christmas trees and Christmas trees
celestial
decorated with electric candles and Uncles can
heavy and believed.
Christ came down from his tree this year
naked and ran to where no intrepid Bible peddler
travel the country in a two-toned Cadillac
birth and where no Sears Roebuck
complete with plastic baby crib
reached by certified mail
child
immediate delivery and where no TV Men sing praises to
Lord Calvert Whisky
Christ came down from his tree this year
naked and ran to where no fat, good-hearted stranger dressed in red flannel
bearded Lying
walk posing as a sort of North Pole saint
through del desierto de Belén, Pennsylvania
en un trineo Volkswagen
arrastrado por renos retozones de Adirondack
con nombres alemanes y cargado de sacos de humildes regalos de Saks
de la Quinta Avenida
para el Niño Dios que cada uno se imagina.
Cristo se bajó de su árbol desnudo este año
y huyó a donde los cantadores de villancicos de Bing Crosby
no lloriquearan que la Nochebuena es fría
y los ángeles del Radio City no patinaran sin alas
en un país de las maravillas todo nevado
entrando a un cielo de alegres cascabeles
diariamente a los 8:30
con matinés de la Misa de Gallo .
Cristo se bajó de su árbol desnudo este año
and she went to
quietly in an anonymous Mary's womb again where
in the dark night of the soul of each anonymous
the wait again an unimaginable and impossible
immaculate re-conception the craziest of Second Comings.
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